Lukas

Geniušas

concert pianist

Download biography (pdf):

en | ru | it

"While his peers are doing their best to charm everyone around, including the global music industry, Mr Geniušas has embarked on an altogether more serious mission: an agonizing search for a performance style that is fully modern and catching the spirit of the age.”

Kommersant Russia

Born in Moscow in 1990, Lukas Geniušas started piano studies at the age of 5 at the preparatory department of F. Chopin Music College in Moscow, going on to graduate with top honours in 2008.

He was born into a family of musicians which played a major role in Lukas' swift musical development, in particular the mentorship of his grandmother, Vera Gornostaeva, the prominent teacher and professor at the Moscow Conservatory. This early development helped Lukas become the laureate of several major competitions including the Gina Bachauer Piano Competition in Utah, the Silver medal at the Chopin International Piano Competition in 2010. Two years later he received the German Piano Award in Frankfurt am Main. His most recent victory, and one of the most important, is the Silver Medal at the XV Tchaikovsky Competition in Moscow in 2015.

Img 5830

Lukas has appeared with numerous orchestras including the Toronto Symphony, Orchestre Philharmonique de Radio France, NHK Symphony Orchestra, St Petersburg Philharmonic, Kremerata Baltica, Russian National Orchestra, Mariinsky Theatre Orchestra, Warsaw Philharmonic, and the City of Birmingham Symphony Orchestra, under the batons of conductors such as Valery Gergiev, Mikhail Pletnev, Charles Dutoit, Andrey Boreyko, Saulius Sondeckis, Dmitry Sitkovetsky, Antoni Wit, Rafael Payare, and Dmitry Liss, to name but a few. His international career has taken Lukas to prestigious venues and festivals throughout the world, including the Rheingau, Ruhr and Lockenhaus Music Festivals, La Roque D'Antheron, Piano aux Jacobins, the Auditorium du Louvre and Wigmore Hall, as well as to major concert halls in Russia and South America.

Highlights of the 2016/17 season have included triumphant recitals at the Sala Verdi in Milan, Mariinsky-3, Great Hall of Moscow Conservatory. He recently performed at Montreal Pro Musica series and Washington Phillips Collection, to a great critical acclaim.

In the 2017/18 season he returns to the La Roque D'Antheron and Verbier festivals and performs début recitals at Frick Collection in New York and Schloss-Elmau Festival. Important forthcoming engagements also include performances with Alexander Vedernikov and Odense Philharmonic Orchestra, recitals in Tokyo Bunka-Kaykan and Macau.

Img 5833

Lukas’ musical interests are extensive and he explores a wide range of repertoire, from the Baroque to works by contemporary composers. His repertoire spans from Beethoven Piano Concerti through to Hindemith’s ‘Ludus Tonalis’ Cycle, as well as a strong interest in Russian repertoire such as Tchaikovsky, Rachmaninov and Prokofiev. Lukas is an avid chamber musician. He is an extremely inquisitive performer and enjoys working on new works by modern composers, as well as resurrecting rarely performed repertoire.

These aspects of his career are reflected in Lukas’ critically acclaimed discography, which includes his most recent recordings of the complete Rachmaninov Preludes (Piano Classics), ‘The Emancipation of Dissonance’ (works by Desyatnikov, Arzumanov and Ryuabov) and a CD of works for violin and piano with Aylen Pritchin (Melodiya) as well as earlier recordings of Chopin Etudes op. 10 and 25, and Brahms and Beethoven sonatas.

At the age of 15, he was awarded a “Young Talents” federal grant from the Russian Federation and two years later received the “Gifted Youth of the 21st Century” award. Lukas has since garnered much praise and many awards in recognition of his talent, also in his native Lithuania, where he gives concerts regularly and is recognized as an outstanding performer.

Since 2015, Lukas has been a featured artist of "Looking at the stars" a philanthropy project based in Toronto, whose purpose is to bring classical music to institutions and organisations (prisons, hospitals and shelters) where people may not have an opportunity to experience it live in a traditional setting.